The culture of present-day Montenegro is as fascinating as its history and geographical position suggests. Its [[sense of the world around them. The ancient Greece, ancient Rome, Christianity, Islam, Byzantine Empire, Bulgarian Empire, Serbian Empire, Ottoman Empire, Republic of Venice, Austria-Hungary and Yugoslavia all made their impact.
Values and Norms
Ethical Beliefs
Very important dimension of the ethnic Montenegrin culture is the ethical ideal of Čojstvo i Junaštvo, roughly translated as "Humanity and Bravery". Another result of its centuries long warrior history, it is the unwritten code of Chivalry that [[stipulate that to deserve a true respect of its people, a person has to show virtues of integrity, dignity, humility, self-sacrifice for the just cause, respect for others, and Rectitude along with the bravery. In the old days of battle, it resulted in Montenegrins fighting to the death as being captured was considered the greatest shame.
It is still very much ingrained, to greater or lesser extent, in every Montenegrin's ethical beliefs system and it is essential that it be kept in mind in order to truly understand them. Coming from non-warrior backgrounds, most of other South-Slavic nations never fully grasp it, resulting in reactions from totally ignoring it, in the best case, to mocking it or ignorantly equating it with backwardness.
Most of extraordinary examples of Montenegrin conduct during its long history can be traced to the code. Its The first thing that catches the attention is that the Montenegrin wedding doesn't have any music going on. In that sense it is somewhat similar to Oro, also an unavoidable part of any wedding. The music is replaced with elaborate group singing.
Montenegrin Funeral
An absolute institution in the Montenegrin Culture. You are 'allowed' to miss someone's wedding, but not coming to their funeral will be remembered.
Funeral often turn into social events.
Mores
Laws
* A Montenegrin tradition made into law in Montenegro by King Nikola during his reign, consisting of newly-weds planting an olive tree on their wedding day as a symbol of marriage.
* An ancient Montenegrin code of honor, called simply "Zakletva", an oath of revenge for vendetta, similar to the Albanian "Besa".
* The Montenegrin law of vendetta, "Krvna Osveta", where one Montenegrin must take revenge on whoever killed his relative by killing the murderer or one of the murderer's close relatives.
Traditions
Folk Dances
Oro
A dance of ethnic Montenegrins is called the Oro, with the forms being the Crmnički Oro, Zetsko Oro, Katunski Oro and the Riječki Oro.
It is as much a communal gathering and a game as it is a dance in the strictest sense. Typically, young men and women would gather and form a circle (kolo), then start to sing, usually in form of playfully mocking someone from the other side and daring them to enter the circle to dance. One of the more daring young men would then enter the circle and start to dance in a stylistic imitation of an Eagle. The aim here is to impress, just like in any modern disco club. The gallery crowd will immediately respond with a "feedback" song, either praising or ridiculing him.
Soon, a girl would join, quite often his girlfriend or possibly someone attracted by his display. She would also imitate an Eagle, but in a more elegant way. The gallery also keeps up. When the couple gets tired, they kiss each other on the cheek and another couple jumps in to keep the kolo going, while the singing of the surrounding crowd never stops.
Usually the young lads finish oro by forming a two-story circle, standing on one other's shoulders, inside the greater circle and this is the scene that is the most recognisable and most often photographed part of the dance.
Musical instruments are never part of the true Oro.
Šota
Another dance of the ethnic Montenegrins is known as Šota.
This dance is done at weddings and gatherings between a man and a woman. The dance consists of intricate fast-moving steps, the man and woman moving closer and farther away from each other in ordinance with the fast-paced rhythm, while dancing it is common for the woman to shake her handkerchief up in the air while performing the steps.
While this dance is performed it is usual for drums to play and other instruments while the audience clap rhythmically to the beat. This dance is done mostly in the Sandzak region of Montenegro.
Epic Songs
Montenegrins' long-standing history of struggle for freedom and independence is invariably linked with strong traditions of oral epic poetry. Traditionally, they are delivered to the audience accompanied by the music produced by gusle, one-string instrument played by the story-teller (guslar), who sings or recites the stories of heroes and battles in decasyllabic verse. Historically, these songs have had an immense motivational power over the population. The guslars commanded almost as much respect as the best of warriors, as they were as much the authors, thus history writers, as they were interpreters.
In the best "traditions" of the modern public domain and open-source movement, these songs had been composed and passed on by the unknown guslars since high middle ages onwards. Other guslars adopted the songs and could amend them as they saw fit, which usually resulted in a number of slightly different versions of the same story, of varying quality. The "quality control" were the listeners themselves, who loudly objected during the performance if some parts of the story were inaccurate or embellished out of proportions. The guslars had had more "poetical freedom" when they interpreted the events further back in the past, as there could have been no witnesses present. Thus, the historical accuracy of the song declined with the widening of the time gap. Most of the songs have been collected, assessed and recorded on paper by Vuk Karadžić in the 19th century along with Serbian epic poetry, some being of exceptional literary quality.
The most famous recorded guslar-interpreter was indisputably Petar Perunović - Perun, from Pješivci tribe. He reached his peak during the first few decades of the 20th century when he made numerous recordings and tours in America and all across Europe.
The most popular Montenegrin epic song heroes are Bajo Pivljanin, Nikac od Rovina and pop Milo Jovović. Contemporary alternative rock author Rambo Amadeus proved with his Smrt Popa Mila Jovovica (The Death of Priest Milo Jovovic) that these songs can be very successfully adapted to the modern art format without losing any of its original appeal.
Presently, these traditions are somewhat livelier in the northern parts of the country, (and also shared with people in eastern Herzegovina, western Serbia and central Dalmatia).
Montenegrin Names
There are many Montenegrin names unique to the Montenegrin people which display the distinct culture of the Montenegrins. For an extensive list see:
Main article: List of Montenegrin names
en.wikipedia.org/wiki/List_of_Montenegrin_namesCuisine
Main article: Montenegrin cuisine
en.wikipedia.org/wiki/Montenegrin_cuisineThe traditional dishes of Montenegro's heartland and its Adriatic coast have a distinctively Italian flavour which shows in the bread-making style, the way meat is cured and dried, cheesemaking, wine and spirits, the soup and stew making style, polenta, stuffed capsicums, meatballs, priganice, Raštan, etc..
The second large influence came from the Levant and Turkey, lately largely via Serbia: sarma, musaka, pilav, japraci, pita, burek, Ćevapi, kebab, Turkish sweets like baklava and tulumba etc.
Hungarian dishes goulash, satarash, djuvech are also very common.
Last but not least, continental Europe made its mark mostly in the desserts department. crêpes, doughnuts, jams, myriad types of biscuits and cakes, all make a contribution to the average Montenegrin's waist-line. Vienna-style bread is the most prevalent type of bread in the shops.
Montenegrin cuisine also varies geographically; the cuisine in the coastal area differs from the one in the northern highland region. The coastal area is traditionally a representative of Mediterranean cuisine, with seafood being a common dish.
Architecture
Main article: Architecture of Montenegro
en.wikipedia.org/wiki/Architecture_of_MontenegroMontenegro has a number of significant cultural and historical sites, including heritage sites from the pre-Romanesque, Gothic and Baroque periods. The Montenegrin coastal region is especially well known for its religious monuments, including the Cathedral of Saint Tryphon, the basilica of St. Luke (over 800 years), Our Lady of the Rock (Škrpjela), the Savina Monastery and others. The Byzantine influence in architecture and in religious artwork is especially apparent in the country's interior. The ancient city of Kotor is listed on the UNESCO World Heritage list.
Literature
Main article: Montenegrin Literature
en.wikipedia.org/wiki/Montenegrin_LiteratureThe first literary works written in the region are ten centuries old, and the first Montenegrin book was printed five hundreds years ago. The first state-owned printing press (Printing House of Crnojevići) was located in Cetinje in 1494, where the first South Slavic book was printed the same year (Oktoih). A number of medieval manuscripts, dating from the 13th century, are kept in the Montenegrin monasteries.
On the substratum of traditional oral folk epic poetry, authors like Petar II Petrović Njegoš have created their own expression. His epic Gorski Vijenac (The Mountain Wreath), written in the Montenegrin vernacular, presents the central point of the Montenegrin culture, for many surpassing in importance even the bible.
entire article
en.wikipedia.org/wiki/Culture_of_Montenegro